Dragonfruit Season

Edited with a new image, below!

It's been far, far too long since I've managed to post here, and I apologize. Our unexpected trip to the US, my mother-in-law's passing, pneumonia, and simply having a husband at home again have all taken their toll. But...it's time to get back to adventures, and I'm still so very behind! Here's another grocery store story, to tide us all over until I can post more this weekend about my adventures with MM.

I was browsing through my favorite neighborhood grocery recently, examining the produce, which never fails to surprise me. There were the plump and lovely summer tomatoes (remember how that one turned out?) and deeply-pigmented bell peppers, shinier and smaller than the broad-shouldered monsters I'm used to. I edged along the aisle lined with careful rows of hideously expensive canteloupes and spherical watermelons, jewel-faceted plastic bowls of tiny tangerines and heaps of slender, purply-black eggplant. Ginger, cleaner and less wrinkly than the knobs in the commissary, sits beside something that looks like ginger, but isn't, with reddish bud shapes growing out of it like the buds of a waterlily. There are delicate stacks of toothy shiso leaves and several versions of scallions of varying thickness and straightness (the long onion I've read about in cookbooks?), beside obscenely thick and pale logs of daikon radish.

The boxes of perfect white button mushrooms are quite expensive, and each box contains perhaps ten small mushrooms...but as if to make up for it, there are so many other varieties of fungus. There are bunches of tiny, willowy enoki, like bleached dandelion stems after the fuzz has been blown away, and fresh, flat-capped shiitake piled like skipping stones. There are fat mushrooms, all thick stem with a little flare of cap at one end, and bouquets of brown-capped mushrooms that seem to be separate until one picks up a package and finds all the stems are fused at the bottom into one big clump, and one ruffly kind of mushroom that looks as if it's trying to pretend to be a head of lettuce.

One largeish refrigerated section of this tiny market is entirely filled with small plastic bags of pickles -- a huge variety of land and sea vegetables in brine or vinegar, with garlic, with sandy miso paste, with tiny red rings of chiles.

One of the things I like the most about Japanese markets is the seasonal availability of the produce. Sure, some things are available year-round, and that is the case more and more. But much more than in American markets, certain things are only available when they're in season...which means they're still being bred for taste and sweetness and succulence and aroma, not how well they'll travel or how long they'll last on the shelf. There's also a great reverence for produce from certain areas....mushrooms and potatoes from Hokkaido, gigantic, frosted-black-skinned clusters of grapes from Kyoto, peaches from this area and apples from that.

Yes, quite often the produce is insanely expensive by American standards, but to be honest, I think I'd rather have a single basket of strawberries so fragrant and sweet I'll remember them for months, than a basket every month of hard, green-tasting berries with no scent. Suddenly I can imagine spending two or three dollars on a single peach, when I'll only need the one, and it will be an experience of really savouring a single exquisite fruit. I finally truly, viscerally understand the concept of quality over quantity. Can you really remember the last bunch of grapes you ate? The last apple? The last time you closed your eyes and sighed with pleasure from the experience of eating one perfect tangerine? The memory of the peach I chose is going to stay with me for a long, long time...and I'd rather wait with anticipation for the next season than have a tasteless imitation out of season.

I chose an inexpensive (relatively -- less than $6) globe of a watermelon, and an intensely fragrant, Roald Dahl-style peach, almost half as big as the watermelon, and a clear plastic bowl of tiny tangerines. And then, I saw the oddest fruit I've ever seen. It was an oval fruit, larger than an apple, like something that ought to grow out of a cactus. The thick, smooth skin was bright fucshia studded with green-tipped...spines? Flippers? Protruding leaves? One was almost $3 (which I later discovered was insanely cheap...I found less attractive specimens for almost three times that price in another store!) and carefully nestled in a nest of styrofoam netting. I picked one up gingerly, afraid the spiny parts might stick or sting me, and found the sticking-out parts to be relatively soft and leathery, and the fruit itself to be heavy for its size.

Of course I bought one.

The cashier tried to tell me what it was, but it took several tries before I understood that she was trying to tell me in English -- it was a dragonfruit, which made total sense. Take a look. What else would you call it?

I took it home (took photos, of course), and looked it over. How to go about this? Well, there's sort of a hole at one end, where it was attached to its parent, I assume. I took hold of one edge of the hole and pulled. The skin peeled back easily, revealing a white oval of flesh the shape and size of a large goose egg. A knife blade slipped easily into the egg, and a wedge pulled out showed that the flesh was studded throughout with a galaxy of tiny black seeds. No pit, no core. Everything encased by the skin was edible. The taste and texture was much like a kiwi fruit, but without the kiwi's tartness, and the seeds were almost indiscernable, just adding a nice hint of crunch, again like a kiwi. It was pleasantly sweet and very moist, and I enjoyed it very much.

I've since learned from my more knowledgeable friend, D, that dragonfruit are native to Okinawa, there are two types of dragonfruit, and the second type has vivid fucshia flesh. I'll have to keep my eye out for the second kind! After the first one (and the squeal of delight from D when I told her about it!) I hurried back to buy more. I bought one for D, one for myself and Fearless Husband, and one for Miyuki's parents as a gift. That's all...there were no more, and I haven't found any in any store since.

I'll have to mark my calendar for next year, so I don't miss dragonfruit season!

Edited to add the photo of the dragonfruit growing from Emiri! Now I can really see why they call it dragonfruit! And I was sort of right...it looks like the fruit of a cactus/succulent. Thanks for the photo, Em!

Okinawan Hibiscus, Awamori & Shisa

(As always, click on the images for larger photos!)

I took the free shuttle from the base to the airport last Tuesday morning, and flew to Okinawa to visit my cousin Emily. Though I'd packed summer shirts and skirts, I was kind of stupid and wore a black tunic and dark pants for travelling. Okinawa was HOT! Em picked me up at the airport and immediately took me out sightseeing.

I was fascinated by the differences between Okinawa and the mainland. It's MUCH flatter, of course, and much warmer. The air is ocean-scented, and there are glimpses of incredibly beautiful turquoise water here and there. Flowers are EVERYWHERE, even though it's November. Em said that in the spring and summer, the flowers are astonishing. I was pretty astonished at the November abundance of vast masses of vividly-colored hibiscus, bouganvillea, cosmos, and many other flowers whose name I didn't know. The buildings are relatively low, and are boxy and square and mostly concrete. They're mostly painted in "Key West" colors -- lots of white trimmed in coral, peach, teal and pale turquoise. One reason there are so many concrete buildings (as opposed to the many wooden buildings in Sasebo) is due to the almost total razing of the island during WWII.

We went to a lacquerware factory first, which was totally cool. I had no idea what lacquerware really was until now. The various dishes, cups, platters and bowls are carved in single pieces from light, strong dried wood. Then the wood is coated with lacquer, which is made from several things, including powdered turban shells found in Okinawan waters. The lacquerware is almost all black and maroon -- very traditional. Some is left plain, some is painted, some has designs of mother-of-pearl inlaid into the lacquer, some has designs in relief on it. The relief pieces are made by rolling out a very thin "dough" of lacquer paste of a single color. The design is cut out of the "dough" and pressed onto the lacquerware piece. Details are pressed into the dough while it is still moist. Some designs are simple -- a red hibiscus blossom with green stem and leaves and a yellow stamen -- and other designs are really complex -- a landscape with trees, mountains, houses, etc. in many different colors. The design is pressed and rolled once it's put on the bowl or platter or whatever, so the edges are rounded and it seems part of the piece, not laid on afterwards. It was all really amazing, and now I'm really afraid I might have given away or thrown away good lacquerware, thinking it was plastic! I did buy two soup bowls (plain black with maroon interiors, no designs) and two pairs of chopsticks (both black with painted designs--Fearless Husband's with cranes, mine with wisteria blossoms). NOT cheap, but they are lovely artisanal pieces we'll use and treasure. I ACHED for a delicate lacquerware ceremonial tea set, and for an inlaid "family-sized" bento for picnicking...but both were FAR outside my price range.

Then Em took me to the Ryukyu Glass Factory. She sent me a clear oval glass plate with a swirl of cobalt and sky blue in it a couple of months ago from this particular factory, and I was really looking forward to seeing the place. The outside of the building, including the big support pillars and the wall along the walkway and stairs, was totally covered in vividly colored clear glass bricks. It was lovely! The glass blowing had stopped for the day, which was so very disappointing, but we did see some of the glass furnaces roaring away. Two of the artisans invited us into their work area so we could peer into the annealing kiln and see all the newly made vases and bowls slowly cooling down (if they cooled in the open air, the surface glass would cool faster than the inner glass, and the pieces would shatter). We had a great time in the huge shop, and I had to restrain myself from buying everything I saw! The glass industry in Okinawa started with Okinawans melting down the many, many soda bottles left by the American forces. At first, the pieces were utilitarian (like the well-known glass floats for fishing nets), but the craftsmen began to make pieces with vivid colors, and branched into more decorative work. Most of it is thick, and much of it has bubbles in the glass. It reminded me a little bit of Mexican glass, but with a much larger range of colors and shapes.

I bought a set of four coasters for me and FH, a lemon-yellow glass trimmed in bright green to add to my collection, and a couple of Christmas gifts. On our way out, we went to the "factory seconds" discount store, so Emily could play the "ping pong ball game." For 300 yen (about $2.50) one is given five ping pong balls to toss into a wooden pen filled with glass pieces. If a ping pong ball lands in a piece, you "win" that piece! Em claims to have "won" several pieces. Of course, I had to tease her about how "free" were the pieces -- how many times did she have to pay 300 yen to get all the "free" glass? While I was with her, she did win two pieces and spent only 600 yen, which pleased her very much. I tossed five ping pong balls of my own, but won nothing. As a consolation prize, one is given a little tube of clear glass with a flattened center, to use as a chopstick rest.

We headed for Emily and Dave's house after the glass factory. They have a darling little house with a tidy yard edged in tropical plants. The house has a living room/dining room/kitchen in one big room downstairs, along with a toilet room and a bathroom/laundry room. Upstairs they have three bedroooms, one with tatami flooring. It's a little smaller than our house, but it's nicely laid out and they've done a really nice job with it. The shelves along the stairway are lined with beautiful and unusual Okinawan pieces of pottery and carving, each of which was fascinating. I was exhausted, so we stayed in that night. Em made some rice, and served the curry she'd made during her "cooking lesson" a couple of days previously. It was delicious, and I enjoyed a huge big bowlful! Molly, their little dog, and I became great friends, once I scratched behind her ears. She was very pleased that I wanted to sit on the floor with her, and it wasn't long before she was pushing herself into my lap. I slept really, really well that night!

In the morning, we took our time getting going. I enjoyed puttering around, checking e-mail and drinking coffee. We finally got moving (poor Em, dealing with my slow start!) and we drove around looking at all the gorgeous flowers and getting glimpses of the turquoise waters. Em drove us by "Okinawan Hollywood" complete with a miniature "Hollywood" sign on the hillside and several big resort hotels. It seems one twenty-minute scene from an American movie was once filmed on that stretch of beach, thus it was considered "famous" by the locals! We then went to Ryukyu Mura, which is sort of a replica of a pre-war Okinawan village. There were thatched-roofed huts (including the Holy House, above, guarded by the clay shisa dogs, and covered in fluttering strips of paper upon which were written prayers), lively aisa dancing with drums (see the video at the bottom!), sanshen playing (a three-stringed instrument with the round "banjo-head" part made of snake skin--see the video at the bottom!), weaving demonstrations (one could pay to learn to weave their patterns if one wanted to), Okinawan tea, pancakes and doughnuts (tea = yum, pancakes = ok, doughnuts = greasy balls of sawdust -- YUCK!) a pottery factory, a water buffalo turning the crank of an old-fashioned sugar cane press, etc. I found it all fascinating! A couple of the actor-types had on makeup, including one in the photo with Emily to the right who had drawn lines on her face to indicate wrinkles, I guess. But there were also plenty of older folks with their own home-grown wrinkles!

The little old woman serving the tea was particularly adorable. Okinawans are some of the longest-lived people in the whole world, and this little granny was in her 80s, but spry and strong and cute as a button. I bought some of her tea, and she was thrilled! She stood up on the raised platform and stuck her hand straight out almost into Emily's sternum. Em was astonished, then realized the obachan (Japanese for old auntie -- literally "older sister") wanted to shake hands. Then the obachan turned to me--and suddenly grabbed me in one of the tightest hugs I've ever had! She kept giggling and hugging me really tightly. I have to admit, that it was my first human contact since I saw FH last, and I got a little teary-eyed! (And look at the strength in those arms around my neck!) The guy who'd been playing the sanshen came and took my camera out of Emily's hands, and snapped a photo of us. As we left, we saw some of the old "formal" dancing being performed. The women wear very vivid cotton kimono made of an Okinawan fabric called Bingata, and huge round red "lotus" hats. The two women move in unison in very, very slow, stylized movements, accompanied by sort of eerie singing and sanshen playing.

We got a bite to eat at a Mexican place (!!) and talked a bunch...then headed to the beach. Near the beach were two "croquet courts", both filled with elderly folks playing a game with mallets, wire hoops and hard wooden balls, on a neatly-trimmed, rolled-flat grassy expanse. The equipment and manner of play looked identical to the croquet game we know, but the wicket pattern was completely different, and I guess the rules are entirely different as well. Em said there were courts like this all over the island, and that several times a week, the elderly played this game. We nodded and smiled to several folks, and exchanged greetings with a few. One old man wanted to know if we were interested in croquet...then rather than accept our assurances that we did find it interesting, he shook his head and insisted we must like "baysu baru" instead! Em suspected he just wanted to say "baseball" to us, and thus the conversation. We walked down the steep steps to a little cove, and did some shell-hunting. I kept filling my hands, then having to drop some as I found even better ones! I could have beach-combed for hours! Unfortunately, I left my shells outside at Emily's, meaning to rinse them clean before packing them, and forgot them entirely! Oh well! I snapped a couple of good shots of the sunset, and we headed home to Em's house.

That evening, to celebrate Dave passing his PT test, we went out to a yakiniku -- a place where you order a platter of raw meat and veggies and cook them in a grill set into the middle of the table. It was a much bigger restaurant than the yakiniku I like in Sasebo, with LOTS more choices! We took off our shoes at the door, and sat in a booth that had tatami seats at floor level, but a deeper "pit" under the table for our legs. Dave ordered for us all -- two kinds of beef, some very thin pork (sort of like bacon), Japanese mushrooms, asparagus, tomatoes, long onions, a plate of mixed veggies, and a little pot of garlic cloves in oil that we simmered on the grill until soft and delicious! We talked about ordering some seafood as well, but decided to see how full we were...and we were very glad we hadn't ordered any more food! The grill in Sasebo is gas or propane, but the grill in Okinawa used long tubes of charcoal, so the grilled flavor was very different. Of course, we each had rice as well, and lots of water. Dave also got a bottle of awamori, which is an Okinawan rice liquor. It's a lot stronger than sake, but smoother...it's poured over ice, and is 60 proof I think. You can drink it straight or mix it with water...I mixed mine with LOTS of water. It was a fantastic meal, with great food and great conversation. We had a great time, but had to finally go, as they were closing the place!

Thursday, we got a relatively late start again -- Em thought she was waiting for me to be ready, I thought I was waiting for her. It was pretty funny! We got some Okinawan soba at Em's favorite place for breakfast/lunch. The thick soba noodles were served in a huge bowl of savory broth, with a slice of fish paste (fish sausage is what Em's Okinawan friends call it, whereas my Mainland friends call it fish paste), a slice of absolutely delicious red-cooked pork, a little lump of pork spare ribs, and a scattering of scallions. There were maybe five little bites of meat, but it was soooo good and very filling. One of the condiments on the table was a little bottle of awamori filled with tiny chiles. You add it to your soba for a kicked up flavor--it gave a strong hint of the liquor, and a LOT of heat! I loved it, and may have to order some to use at honme. Then we headed to a folk museum Em liked. Even though there wasn't a whole lot of English on the display tags, there was enough to get us through. Fascinating stuff about the old ways of the Okinawans--about their textiles and agricultural ways, about their tombs shaped like wombs (circle of life!) and sunk into hillsides,how the families, even to this day have a funeral picnic in front of the "womb" as if they were sitting between the implied thighs of the earth, about the spirit houses built to hold the remains of the dead (with windows for the spirits to come and go--ancient spirit houses very square and plain, more modern spirit houses made of glazed pottery and very elaborate), about their whole way of life--and both tragic information about the war, and interesting information about how innovative they were, learning to recycle and use the materials the Americans discarded, such as aluminum and glass.

After the museum, we went to a pottery village, where a whole group of potters have set up studios and shops, and share the one huge wood-fired step-kiln. We wandered into two of the shops, and I found several things that would have made great Christmas gifts (including a fantastic sake bottle with a dragon that FH would have LOVED--the head was the spout, and the body looked as if it writhed in and out of the body of the pitcher) but luckily for my finances, they didn't take plastic and I didn't have enough yen to get what I wanted. The pottery was COMPLETELY different from the porcelain in my area, much more rustic, much more "hand made", a lot like the Seagrove pottery FH and I saw on our honeymoon. I really loved it! Then we went to a store that specialized in shisa, the dogs that guard everything from homes to temples to hotels. The two dogs sit on either side of the entrance (they look a lot like temple dogs, but are not the same). The male has an open mouth to capture the good spirits, and the female has a closed mouth to hold the good spirits in and protect them. They have tons of versions of the shisa dogs, including a fat one with a jug of awamori and an awamori cup. Em really loved that one, so I bought it as a thank-you gift for her and Dave. I also bought a pair of shisas for our house--Em is going to mail them through the free MPS, as they were far too heavy to carry home!

We were going to go to a concert given by one of Emily's friends that evening, but it was an hour's drive away, and none of us really felt like going that far. So we walked to a neighborhood izakaya, which is a Japanese drinking establishment with a menu of small dishes, sort of like a Japanese version of a tapas bar. They often don't open until 9 or 10 at night, and stay open until 4 or 5 in the morning! There are cubby-holes along one wall, so one can buy a bottle of awamori, then put one's name on a tag around the bottle's neck and put it in a cubby until the next visit. We sat on benches and stools made from tree-trunks, at a table made from a slab of heartwood. It was quite brightly lit, and relatively small, with perhaps six tables, two little tatami booths in an alcove, and a bar that looked right into the tiny kitchen, with perhaps five tree-trunk stools. On one wall was a big salt-water aquarium, and on the other wall was a television showing a DVD of underwater scenes. The yukata-clad waitress took our order and brought us a bottle of awamori, and an ice bucket, water pitcher and three glasses, all made at the Ryukyu glass factory. We shared little platters of various snacks--some seasoned fried potatoes, some chunks of fried chicken, some great fried squid, and a platter of tofu champuru -- stir-fried cabbage, carrots, onions, and the best tofu I've ever eaten. We talked on and on, about Dave and Emily's plans after they leave, Dave's various business ideas, the possibilities of the two of them opening an izakaya in the US, etc. It was another evening of good food and great conversation.

Had to get up really early Friday so Em could get me to the airport by 7:30am. On the way to the airport, we passed literally hundreds of people of all ages lining the streets and waving fans--teenagers, little old ladies, businessmen in suits, office ladies in tight little skirts, etc. Some had yellow headbands and yellow t-shirts, others had orange headbands and t-shirts. Each group held banners and placards proclaiming their candidate as the best...it was an election day! I've never seen so many people on the streets for an election! They streamed out of side streets, covered bridges and sidewalks, lined the overpasses, waving and smiling, exhorting voters to get out the vote! Even with all the campaigners, we got to the airport in plenty of time. Before I left, Em and Dave gave me a simply gorgeous little sake set--a pitcher and two little cups, made by one of the most famous of local potters. His kiln has been designated a national treasure, and the three ironstone pieces are simply gorgeous--rich chocolate brown with a design of leaves carved into the dark glaze to reveal the lighter clay beneath. The sake pitcher has a little pottery marble inside, which is supposed to make the sake taste better somehow, but we aren't sure exactly how!

I got back to Sasebo by 1pm, JUST in time to get picked up at the bus station by Miyuki to spend the afternoon at her school, carving Jack o' Lanterns with her ichinensei (seventh graders, literally "first year students"). Yes, Halloween was long past, but that didn't stop us! More on that interesting afternoon soon, I promise. Happy Thanksgiving to all of you...wishing you all the blessings and happiness you desire. FH should be home soon, and we hope to actually have some adventures TOGETHER for a change. Yippee!

Videos (the sound isn't great--the Aisa drums played havoc with my camera's microphone!):

Walls of Stone, Roof-Top Fish, & Plenty of Stairs

My cousin Emiri and her husband are stationed in Okinawa. Emiri's husband was away in Florida doing Secret Squirrel stuff for the Army, so Emiri came to visit me for a few days. For those of you who don't know, I'm the oldest grandchild, and Emiri is one of the youngest. Age-wise, she could be my daughter if I'd started early! But despite the age difference (or maybe because of it!) I really enjoy her company.

Emiri has been in Okinawa for about a year and a half, and she loves it! She started learning Japanese in January, and she puts me to absolute shame. She's not only able to speak a LOT of Japanese, she can read and write in hiragana and katakana, and is learning kanji! She even e-mails her Japanese friends in Japanese on her little Japanese cell phone. She's just amazing!

I went to pick her up in Fukuoka on May 22. I was nervous about driving directions and dealing with parking (I have a parking phobia, dunno why!), so I took the bus. Emiri met me at the International terminal, complete with gifts from Okinawa. It's the Japanese custom to always bring gifts when visiting, and to take gifts home to your friends when you return. Usually, the gifts are something to eat (yeah, just what I need!) and preferably something specific to the area. Em brought me wonderful pineapple pastries and purple sweet potato pastries (both pineapple and purple sweet potatoes are specific to Oki). She even had a gift for my friend Miyuki, as she knew we'd be seeing Miyuki at least once during Em's visit. We took the bus back to Sasebo in the rain, talking nonstop and catching up on life. That evening we spent at home, looking at photos Emiri brought of her birthday with her Japanese friends (amazing..check out her blog at http://emiriinoki.blogspot.com for more!), having a glass of wine, and generally getting to know one another again!

The next day, we headed to Kumamoto by train. We got sort of a late start, but that's par for the course when you get women in our family together, I guess. We might have gotten to Kumamoto earlier, but we both panicked and got off the train one stop too early--I think the station before ours was called Kama-Kumamoto, and we should have waited for just plain Kumamoto. So we waited for the next train, and eventually got to the right place. Once in Kumamoto, we got on the streetcar and headed for Kumamoto Castle. We bought "day passes" on the street car, but it turned out we would've been better off to just get regular tickets, as we ended up not using the streetcar again until the end of the day to get back to the train station. Oh well...hindsight's 20/20!

We walked for a while, and I was beginning to regret the adventure, as it was very humid and sticky. But then the castle grounds and the statue of Kato Kiyomasa appeared ahead, and a cool breeze seemed to hurry us along. From a distance the statue made me smile. The tall commander's hat and bowed legs made the figure look a little like a garden gnome. When we got closer though, we read the plaque, and discovered the figure was the feudal lord who built Kumamoto Castle between 1600 and 1607 A.D. He is sculpted wearing snake-eye patterned armor, a battle surcoat, bellflower patterned footwear, and holding a fan. Nope, the fan isn't just a pretty accessory--it signifies battle command. Kiyomasa was equally famous for his prowess in war, castle construction and civil engineering (as we were about to witness!)

The castle and the castle walls were simply amazing. Kumamoto Castle is one of the "three great castles of Japan." The castle itself perched high on the hill (anything worthwhile in Japan is worth climbing to achieve...). It wasn't the fantasy Bavarian/Disney tower I always envision when I hear the word "castle", nor the heavy medieval fortress. Instead, it was a layer-cake of wood and plaster, with the ubiquitous upturned roof corners of Japan. On either end of the roof rested huge, curled fish decorations called shachihoko, which are legendary dolphin-like roof decorations throughout Japan. They ward off bad luck, especially fire (a big fear in a country of wooden structures!) But there was nothing flimsy or precious about the castle--the whole structure was definitely masculine, and though it was created with an eye for beauty, it was definitely a case of "form follows function." This was a FORTRESS. The stone walls are absolutely huge, and sharply sloped to repell invaders--and there is no mortar! The construction was fascinating, and beautiful.

The plaques on the grounds were fascinating as well, explaining about the "Six Flowers of Kumamoto", the 600-year-old cinnamon camphora trees, and the samurai ideals that encouraged warriors to be as well versed in things such things as botany, poetry and the tea ceremony as they were in the art of warfare. The "Six Flowers" were developed in the 18th century, when the feudal lord Hosokawa Shigekata encouraged his retainers to take up gardening for their "spiritual education." A pursuit of the samurai, care and propagation methods for these flowers were handed down for generations, and several of the species in the garden have never been cross-bred, and remain genetically pure. (Sounds a little like Japanese isolationist politics to me!)

After exploring the grounds, we decided to go inside the castle itself. The courtyard was awash with school groups, each group in a different uniform. I've never seen so many variations on a navy blue school uniform! There was almost no male-female interaction though. The girls hung all over other girls, and the boys hung all over other boys, wrestling, hugging, standing with arms around each other--not at all in a sexual fashion, more uninhibited and innocent. It was the sort of behavior I expect to see in American kindergarteners, not in junior high school students. Some groups were waiting to go into the castle, others were waiting as small groups visited the souvenir shop, still others were making pyramids or careful sitting/kneeling/standing rows for class photographs, with the castle as the backdrop. They were boisterous and happy, giggling and hanging on one another, but exceedingly well-behaved. I flashed back to our flight into Japan, back in January. I can't imagine seeing that many American students in one place behave so well, with so few adults to hold order!

When M and I went into the castle to brave the steps, one skinny little girl elbowed her way through her classmates and spoke directly to M in Japanese. At first, M thought the child was asking for M to take a photograph of the child...then she realized the student wanted a photo taken of herself WITH the American tourist! We're in a relatively rural area of Japan, and M supposed the students don't see many Americans. How cool that M could communicate with the child--in Japanese! I think that student was the star of her class for the rest of the day! The stairs up to each level were divided into an "up" lane and a "down" lane, and for the rest of the afternoon, every time we passed this particular group of schoolgirls, they all shouted "Hello! Hello!" and waved at M and me.

I didn't think the inside would be very interesting at first, as there are few windows, but the inside was made into a museum. We weren't sure how high we would climb, but we didn't have much choice..once one starts up, there is no way to get into the "down lane" of the stairs without going up at least four floors. Well, we could've crawled under the chains, but it would've been awkward, and who wants to disobey the rules in front of all those students? So up we went. There was a huge, scale model of the whole castle on display, and another larger model consisting of several rooms. A mirror was positioned so the viewer could see the hand-painted ceiling squares, each a different flower and beautifully executed. Unfortunately, my photo turned out badly.

Another level housed displays of samurai armor, and the insanely small, ornate gilded boxes that were the litters for the high-born ladies. They were about as big as my cat carrier, but much more beautiful. We peeked out an open window (more of a levered-out shutter) and the view was spectacular. When one spends so much time driving through the crowded, narrow streets, sometimes one forgets about the amazing vistas and views, with the lumpy volcanic mountains that are so very "Japanese".

We finally climbed down from the tower and made our way back out to the street. It was pretty late, so we hurried to try to get to the Folk Art Museum and Natsume Soseki's house, which M really wanted to see, as she'd studied his writings in college. Unfortunately, both were already closed! I snapped a couple of shots of M looking despondent beside the house's sign, and we went in search of food, weary and footsore.

A bowl of meat and rice helped immensely, and we wandered briefly through the big shopping arcade on our way back to the streetcar line. M decided she wanted something sweet, so she went off to hunt down a banana popsicle-type thing. I waited on a bench, and was approached by two Japanese women. I wasn't sure what they wanted, but one spoke English. She wanted to know if I had any pains or problems. How weird, I thought! My hesitation and apprehension must have shown in my face, so she tried to explain that she and her friend were providing a free service for anyone and everyone, where they would pray and send "positive energy and healing". They would not touch me. It was good for the person they were "healing" and I think it also was of some spiritual benefit for the two women--karma or merit or something. I wasn't sure what to say, so I cautiously admitted that yes, I had some issues with my shoulder.

The first woman explained (I guess) to the second woman in Japanese. Then they both squatted down on either side of where I sat on the bench, bowed their heads, closed their eyes, spread their arms to encircle me without touching me, and began to chant very softly in Japanese. They did this for about two minutes, then got up, smiled sweetly, bowed in unison, and walked away before I could say a word. M arrived just as they left. What a strange and wonderful experience! I have no idea why these women were doing what they were doing, nor exactly what it was they were doing, but it made me think of Reiki. I don't know if they were Buddhist or Christian or what.

M and I made our way back to the train station in the twilight on a street car packed with schoolgirls, salarimen, shopping matrons and one adorable elderly couple, and from there back home to Sasebo. It was a long day, but certainly an interesting one! More soon, about the rest of our jam-packed mini-tour--two days for Arita, Kashimae Pier, an amazing dinner out with Miyuki, and Fukuoka City! (The cat photo is just a picture of three little cats happily snoozing on a plank across one of the city's canals...I couldn't help myself!)